Dave Gahan Hourglass Rar Files
Description from Amazon Bonus CD 1. Deeper & Deeper (Juan Maclean Club Mix) [Edit] 5:09 2. Kingdom (Booka Shade Club Remix) [Edit] 5:36 3. Love Will Leave (Kap10Kurt Mix) 3:43 4.
Rock / New Wave / Synthpop Origin: UK Info. DOWNLOAD: Uploaded Oboom Turbobit!!! First solve the captcha code then select file host!!! All releases are 320 kbps unless mentioned. 2003 – Paper Monsters (Mute STUMM 216) 2007 – Hourglass (XLCD STUMM 288) 2015 – Angels & Ghosts (with the.
Use You (Maps Remix) [Edit] 3:39 5. Deeper & Deeper (T.
Raumschmiere Remix Extended) [Edit] 3:34 6. Kingdom (Digitalism Remix) [Edit] 4:17 7. Saw Something (Onur Ozer) [Edit] 5:07 8.
Deeper & Deeper (Sebastien Leger Remix) [Edit] 5:09 9. Kingdom (Rosario's Big Room Vocal) [Edit] 6:10 10. Saw Something (Skreamix) [Edit] 4:54 11. Deeper & Deeper (SHRUBBN!! FX Instrumental) 4:45 Total Running Time - 52 minutes & 3 seconds You will notice that, with the exception of 'Love Will Leave' and the Instrumental mix of 'Deeper & Deeper,' the tracks are Edited versions of the original mixes which would have had a combined running time of 75 minutes & 21 seconds. This was done so that more songs could fit onto the LP Vinyl, though the CD could have easily fit them all with room to spare.
There is about 27 minutes of unused space on the CD that could have been used for 5 or 6 more tracks. These Edited versions are exclusive to the Hourglass Remixes release, and make it that much more collectible. Thanks to the drunkenstepfather. Скачать Бесплатно Игру Mortal Kombat Vs Dc Universe Pc on this page.
This page contains samples of almost every demo or studio pre-mix which is circulating and that has not been commercially released. Tracks are presented in chronological order by the album they are related to, then ordered according to their original source, if known, and otherwise ordered according to the album's track listing. All demo tracks are provided in their entirety (if available), but studio pre-mixes are limited to a length of 2 minutes and 30 seconds. For a listing of demos and tracks which are known to be fake, please see. Also note that the 5-track 1980 demo tape that Robin Neale supposedly unearthed is most likely a fake.
Read more information about his fake tapes here:. Please note that this page does not include the demos which appear on the as they are officially released. There are more demos which are not currently circulating. Such demos that are known to exist are on demo tapes for the albums 'Black Celebration' and 'Violator' (referred to as its working title 'Perversion').
Martin sings lead vocals for all of these demo tracks. More information about each of those demo tapes can be found and, respectively. On Shunt Q&A, Alan Wilder provided his thoughts about demos and rough mixes that end up on bootlegs and the Internet: • From: Alan Woody • E-mail: AlanWoody@email.msn.com I've been seeing demo versions of DM songs turn up on bootleg recordings and on the internet lately. Do you have any idea how these recordings got into the hands of the public?
I would imagine that Martin would be reluctant to pass around tapes to just anyone. Were these stolen copies? Did he give them to his girlfriend? Were they copied by someone in the studio looking to make an extra buck? Copies of demos and rough mixes are made up for all sorts of people (from band members to record company people, video directors, collaborators etc.) and invariably end up in the hands of fans and bootleggers. There's not much you can do about it. I have never given away any of my copies of Martin's demos and yet I don't now possess all of them - where did they go?
Contents • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 1980 / 1981 Speak & Spell Era Composition Of Sound Demo Tape • Four tracks appeared on 's first demo tape. Vince Clarke sings lead vocals, as Dave Gahan had not joined the band yet. The entire demo tape has not yet surfaced; only the four snippets found below are available.
These snippets are the original files shared in (registration required to view), courtesy of Recoil19. On July 13, 2006, tobo27 on depmod.com's forums posted the following topic: im currently reading a biography of depeche mode and it talks about the 1st composition of sound demo that was recorded at the lower wapping conker company in barking. It says that only a few tapes were made and none of the bandmembers now have it.
Has this recording ever got out? The reason i ask is - i've got it. I recorded at the same studio a little while later(after it had moved to romford) and mentioned to the engineer, (a guy called Jerry Chapman i think) that i was into depeche mode. He told me that he had done their first demo before they changed name and did me a cassette copy (charged me a fiver for it!).
Just wondered what the rarity value is. I know that photographic and television set are on it plus one or two other tracks. Any info would be appreciated. The audio snippets below were posted after several posts of discussion, and tobo27 also said: i can vouch for the authenticity of this 100%. I have had this tape from before DM hit the bigtime - there would have been no need to do a fake at that time.
Its just a bog-standard old agfa c90. When the guy at the studio asked if i wanted a copy, i gave him a tape out of my car and he copied it on to that. I had to pick it up a couple of days later. Still charged me a fiver for it though!! Interesting fact is that the lower wapping studio burnt down after it moved to romford so the original master tape probably got destroyed then.
Im not sure [when the tape was recorded] but can find out as it was the same time that my band did a demo there. Ill ask a couple of the guys who were in the band then if they can remember. Would have been 1980-81 tobo27's final post in the thread was on October 2, 2006 and is quoted below. He has not visited the depmod.com forums since. I have not been able to track him down anywhere else on the Internet either.
I have had loads of messages asking to buy copies of the demo but surely there must be an issue with copyright etc? Im not happy about it hitting ebay and someone making a fortune out of it which is what would happen if I put the full versions of the tracks online somewhere.
Seems the best option is to just give you guys a taster and leave it at that. As an aside, i have now passed it on to Andy Fletcher and as soon as i get comments i will let you all know - i know there are some of you who doubt its authenticity!! (Demo) (Demo) • was a very popular song during Depeche Mode's 1981 tour. The track was written by Basildon musician Jason Knott, which explains why the song doesn't appear on any commercial Depeche Mode release. More information regarding the background of this song can be found Unknown Instrumental (Demo) • Nothing is known of this track. Unknown Track (Demo) • This song is sometimes said to be, a track reportedly played during very early dates of the.
That has not been confirmed to date. Transcribed lyrics of this demo snippet are below. 'Vince + Alison (Demo's)' demo cassette containing - credit to • Unreleased track written by Vince Clarke long before he formed Composition of Sound. Vince is singing vocals here. Depeche Mode rehearsed this track, as can be heard in the ITV television program 20th Century Box filmed in late June 1981 (), but the song was never performed live and a full recording of the rehearsal performance from that video is not available. The group covered the song as a single in 2007;.
More information regarding the background of the track can be found (Demo) • Andrew Fletcher plays bass guitar on this demo. Dave sings 'The ice machine, the ice machine' at the end of the song. He also does this at, but not at the next available concert with a recording at or at any concert in the future. (Demo) • This track was performed live during early dates of the; currently, the only known performance was. Lyrics are available on the page. (Demo) • The demo for this song sounds like a mix between the final album version and versions played live, and by extension the 'Some Bizzare' version of the track. (Flexipop Version) • This version of is found on a flexidisc that was bundled with.
The track is referred to as 'Sometimes Wish I Was Dead' (missing the first 'I'). The track has several differences from the album version, most notably the beginning and the middle sections. You can listen to the entire track below.
1983 Construction Time Again Era Martin Gore 1983 Home Demos. The second generation tape that contains these tracks. Martin Gore's home demos for the 1983 'Construction Time Again' album. Tracks are ordered as they appear on the second-generation tape these tracks are sourced from instead of the album's track order. (Demo) (Demo) • The second verse has a different lyric compared to the album version. It sounds like Martin sings 'I've gone to shoot the eyelet in the tall church spire' (it is very hard to understand that line, accuracy not guaranteed); the album version says 'sights set higher than the tall church spire'.
(Demo) (Demo) (Demo) • This demo is a very gloomy, depressing sounding song with subdued vocals which are difficult to comprehend. Lyrics are available. 1984 Some Great Reward Era (Demo) • Martin's home demo for the song bears a strong resemblance to the album version.
(Studio Pre-Mix) • A more basic sounding mix of the album version, lacking reverb and with different samples for percussion and some other sounds, but otherwise quite similar to the final album version. It seems to be a different vocal take as well. The speed seems a bit fast too, I'll correct that in the future. (Studio Pre-Mix) • This pre-mix has some female backing vocals which are not present in the final album version. The vocals were contributed by Inga & Annette Humpe, aka.
They were recording their debut album at Hansa Studios at the same time Depeche Mode were recording 'Some Great Reward'. • Alan Wilder provided at least four demo tracks for 'Some Great Reward'. You can click on any song title below to find lyrics. (Demo) (Demo) • The demo for has a very minor word transposition; in the final line of the song, the demo says 'even though you still may not want to', while the album and live versions say 'even though you may still not want to'. Alan has confirmed on Shunt Q&A that it is him singing on this demo: • From: Jam • E-mail: Jam007DM@aol.com Is that you singing the 'If You Want' demo?
I sang on the original demo. (Demo) (Demo) On another handwritten information sheet, a total of seven Alan demo tracks are mentioned, but my contact does not have a copy of this tape. I am unaware of any other genuine Alan Wilder demo tracks at this time. A photo of this info sheet is provided below. Some people want to be Permanently together Lovers devoted To each other forever That's not what I mean That's not for us We want a different scene But when I'm not there In spirit I'll be there There are a couple faithfully performed instrumental covers of this demo version. See (Demo) • Martin's demo has a different chorus vocal. Instead of 'body and soul come together, as we come closer together' as on the album version, the line in the demo is 'colors and shapes merge together, as we come closer together'.
Furthermore, the line 'With or without words I'll confide everything' is instead 'Without words I'll confide everything' on the demo. I Love You Love Me Love • This song appeared on the same tape as the above two tracks (and possibly the 'Black Celebration' demo tape). I have read it to be rumored to have been recorded for Fletch as a birthday gift, but that rumor has yet to be confirmed. A more likely and credible explanation was given to me by an anonymous ex-label employee: he was told by a tour promoter that the track was Martin's catalyst for a solo cover album, essentially the inspiration for the first 'Counterfeit e.p.'
, and was the first track set aside for the project. As this was told to my source a long time ago, I asked that he try and verify this information. (Studio Pre-Mix). The second generation tape that contains pre-mixes of and. • Other than the different intro and lack of reverb, this pre-mix is nearly identical to the single version. (Studio Pre-Mix) • This pre-mix lacks the reverb found in the single's B-side version, and also has different percussion samples.
(Alternate Version) • This version was uploaded to ( file private/removed) as an 'alternate' version with an additional background melody and some different samples. Audio clip is from Svenner's demo page. (Pre-Release Version) • This pre-release version of appears on the 7' vinyl which was bundled with the February 8th, 1986 issue of the UK magazine 'Record Mirror'. The most easily noticed difference is the castanets in the background during certain parts of the song (the excerpt below depicts this). There are some other slight differences, but they are not too noteworthy. (Emulator II Sequence) • A sequence of sourced from one of Alan Wilder's Emulator II floppy disks can be heard below.
More information is on. This isn't strictly a demo or studio pre-mix, but perhaps it could be considered a rough studio mix. If you listen closely below towards the end of Alan Wilder's Emulator II demonstration from early September 1987 in Brussels, it seems that this sequence was the one he played over. Handwritten info sheet for the 'Black Celebration' demo tape. 'Black Celebration' Demo Tape According to the handwritten info sheet to the right, the 'Black Celebration' demo tape reportedly contains the following tracks: • • • • • • • The demos for and that are available to listen to at the top of this section are the same as what appears on this demo tape.
The songs are described on the info sheet to have been recorded in January 1985 and 4-6-'85 (probably June 4, 1985, or possibly the range of April through June 1985), but I am quite uncertain about those dates overall. I am told that the demo for is 'like a fast synth, organ, just Martin singing. Has Martin periodically singing the backing vocal 'let me tell you' '. 1987 Music For The Masses Era Guillaume Tell Studios 1987 All of the following excerpts are sourced from a low-generation (though poorly recorded) tape labeled 'Guillaume Tell Studios 1987', transferred by the webmaster in October 2015. Quality is much improved compared to the previously bootleg-sourced copies which had insanely destructive noise reduction applied, though this tape has its own flaws such as strange volume fluctuations and brief distortion at the starts of some of the songs, probably the result of poor automatic gain control on a cassette deck sometime in the generation. Tracks are ordered as they appear on the tape itself. 'Guillaume Tell Studios 1987' low-generation cassette (Studio Pre-Mix) • There is an additional synth line not present in the album version, as well as other small differences.
(Studio Pre-Mix) (Studio Pre-Mix) • The pre-mix is significantly different from the album version; due to this fact, this version is sometimes thought to be a demo, but it is definitely a pre-mix. (Studio Pre-Mix) • The pre-mix is nearly identical to the final version. The 'SOS' Morse code at the end of the song is not present on the pre-mix. (Studio Pre-Mix) Martin's backing vocal 'it's important' before the line 'pain, will you return it / I won't say it again' is present on this pre-mix. It is not present on any mix of until the Strangelove '88 single releases, where it is present on the 'Hijack Mix' (aka 'Tim Simenon / Mark Saunders Remix') and possibly others.
The excerpt below depicts this. 1989 Martin's Counterfeit e.p. The second generation tape containing 'Down In The Boondocks'. Down In The Boondocks • Martin covered this song for his first Counterfeit e.p. But it did not make the album.
As Rico Conning (the co-producer of Counterfeit e.p.) recalls on his blog regarding the song: Martin’s nifty guitar playing was a major revelation. He’d often turn away from the cranky computer, pick up his acoustic and launch into an Everly Brothers song, or even John Denver, and I’d happily join in on harmony. I managed to record one of these jams (without my harmonies), the old Billy Joe Royal classic Down In The Boondocks (written by Joe South). We thought this was great until Fletch came down for a visit and opined “sounds like bleedin’ Dave Edmunds”, so that killed that one. Somehow though it has found its way onto YouTube. Michael Lyons, Andy Fletcher's brother-in-law, stated on the Home forum: 'This track was fully completed as part of the project but Martin was unable to obtain the relevant permission for releasing it as part of counterfeit.'
'[This track was] originally recorded and included on the very early Mute studio tapes.' The version below is sourced from a second generation tape (see right photo), and is likely the best you will hear.
(Flexidisc Version) • A flexidisc attributed to Depeche Mode containing a cover of the Ron Mael track 'Never Turn Your Back On Mother Earth' was sent to members of the official fan club around Christmas 1987, aptly named 'Happy Christmas 87 From Depeche Mode'. It differs somewhat from the version later released on Counterfeit e.p., but it sounds very similar to how the track was performed live during the final two legs of the. The backing sequence of this track, used during the MFTM tour, is available to listen to.
Alan Wilder was asked about this version and posted on Shunt Q&A: • From: Thomas Koeckeis • E-mail: Thomas_Koeckeis@management-data.com In 1987 Depeche recorded the Sparks' track, 'Never Turn Your Back On Mother Earth' for a special Christmas fan club flexi disc. This track has a rather minimalistic arrangement and anyone who listens to it may get the impression that the recording of this song was a 'one afternoon affair'. Could you please give me some details about it? I'm very vague about this one - can't recall anything about the recording. I suspect you to be right - we must have recorded it in the afternoon while I was thinking about the match in the evening:-) 1989 - 1990 Violator Era 'Perversion' Demo Tape. Handwritten info sheet for the 'Perversion' demo tape. According to the handwritten info sheet to the right, the 'Perversion' demo tape reportedly contains the following tracks: • • • To Fall [sic] • • • • • • • • The demos of,,, and Interlude No.
3 from 'Perversion' circulate and are available to listen to in their entirety below. The studio pre-mix of found below this section is confirmed to be different than the version on the demo tape, but that is obvious because Dave is singing vocals on the pre-mix. The demo version has only Martin's vocals throughout. Of 'Mother Me', Daryl Bamonte said: 'I remember a track called 'Mother Me, Smother Me' that I believe was recorded for Violator, but didn't make the final cut for some reason. It was a really good song, but I don't think it was even used for a b-side.' An anonymous ex-label employee has the following track listing on his CD and DAT copies of the demo tape; the same tracks that are written on the info sheet are represented, only in a different running order, with the possible exception of Interlude No.
3 as it is not specifically mentioned on the info sheet. • • • • • • • • To Fall [sic] • • • • Interlude No. 3 (begins after the end of ) Several of the songs have different lyrics compared to the album versions. Read detailed information about these changes. The demos below are in circulation because they were apparently sold separately from the rest of the 'Perversion' demo tape; see the hand-written info sheet to the right. While I borrowed the cassette containing, the tape did not have any of the four tracks below written to be on that tape, and was labeled as only containing. Perhaps my contact received the four tracks below on a different tape, or simply did not opt to purchase those tracks at the time.
The second generation tape that contains the pre-mix. (Studio Pre-Mix) This studio pre-mix uses a different vocal take compared to the album version.
Love & Trust Dave Gahan told Rolling Stone France magazine about the first song that he wrote at the end at of the 1980s: 'My first song, I wrote it a long time ago with a guy named Daryl [Bamonte]. It was called 'Love & Trust'. Frankly, it was not due to the group's lack of interest [that it was not released], I simply did not insist.' There is no recording of this in circulation. 1995-1997 Ultra Era (Demo / Rough Mix) • This version of is strikingly similar to the final album version, but has Martin singing lead vocals.
This version was probably created as a vocal guide. There is also an instrumental break in the middle of the song not found in the album version. Martin sings 'everything I've done' instead of 'when everything that I've done' as on the album version.
2001 Exciter Era (Studio Pre-Mix) • No guitar; from Svenner's demo page. 2005 Playing The Angel era Dave Gahan had written 15 songs with Christian Eigner and Andrew Philpott, which he presented to the band in November 2004. Dreambox Sky Satellite Streaming Software Iptv here.
Only three of those songs would appear on 'Playing The Angel'. In, Dave Gahan said that when he started working on 'Hourglass', he was planning to revisit two songs that got rejected for 'Playing The Angel', in order to see if they could be on the Hourglass album, but he could no longer find the two demos. He said that the two songs were called 'Wait' and 'I'm Falling'. 2009 Sounds Of The Universe Era (Early Studio Version) • This version was leaked on March 2, 2009. This is an early, strongly synth-driven, studio version of the track. The last verse does not have vocals; Dave instead hums the melody of what the vocals would sound like (sorry, the clip below ends before this). Perhaps the track's lyrics were not yet finalized at the time of this production.
Transcribed lyrics of this version are below; there are some differences compared to the album version.